Capsule film reviews, Aug. 13

August 10, 2017


Annabelle: Creation There are some genuine jolts in this prequel to “Annabelle” (part of a same star as “The Conjuring” films), that involves 6 lady orphans and a diabolical doll. But a lot of it is customary fear tricks that we can see entrance for miles. Rated R. 109 minutes.—W.Addiego

Atomic Blonde Charlize Theron dazzles as a British representative sent to East Berlin in 1989 to redeem a blank list of double agents, helped by associate representative James McAvoy. The hand-to-hand fight comes quick and mad in this colorful, fabulously entertaining, nonetheless thinly plotted and infrequently tedious, movement film. With this film following “Mad Max: Fury Road,” Theron is now a tip movement singer in a movies. Rated R. 115 minutes.—G.AllenJohnson


Baby Driver Edgar Wright’s movement movie, starring Ansel Elgort as a gifted immature getaway driver, is propulsive and fun, full of surprises and delights. The gimmick of a really pervasive soundtrack wears a bit, though this is an engaging genre movie. Rated R. 113 minutes.—M.LaSalle

The Big Sick Kumail Nanjiani co-wrote (with his wife, Emily V. Gordon) and stars in this regretful comedy, formed on his possess life, about a intrigue that is interrupted by a woman’s removing ill and descending into a coma. Funny, unexpected, tellurian and appealing, it facilities winning performances by Nanjiani and generally Zoe Kazan, who is defunct for many of a film. Rated R. 120 minutes.—M.LaSalle

Columbus This gem of a regretful dramedy, about a translator stranded in a tiny Indiana town, beautifully illuminates not usually a internal pattern though also a characters that live it. The film has a still wavelength all of a own, though interjection to glorious directing and acting, that wavelength always stays accessible. Not rated. 100 minutes.—D.Lewis

The Dark Tower Based on a array of Stephen King novels, this sci-fi anticipation involves a onslaught between light and method on a one hand, and disharmony and dark on a other. But a film has adequate story usually for a really good one-hour, one-off TV drama. The judgment has resonance, though in a film all is on a surface. With Idris Elba, Katheryn Winnick and Matthew McConaughey. Rated PG-13. 95 minutes.

Despicable Me 3 The latest installment in a juggernaut series, about an ex-villain who now chases super-villains, has lovable characters, some crafty set pieces and gorgeous animation, though this time around, a story appears to have been mislaid in a shuffle. It’s competent, though rather joyless. Rated PG. 90 minutes.—D.Lewis

Detroit Kathryn Bigelow’s comment of a 1967 Detroit riot, created by Mark Boal, is unusually paced and photographed, with one long, harrowing stage during a center, an talented re-creation of an eventuality during a hotel, in that a handful of military officers abused and terrorized a organisation of people. Absolutely riveting (and mostly maddening) from start to finish. Rated R. 143 minutes.—W.Addiego

Dunkirk Christopher Nolan’s career-best film tells a story of World War II’s harrowing Dunkirk depletion as gifted on land, sea and air. It’s desirous filmmaking from a initial frame. Rated PG-13. 107 minutes.—M.LaSalle

The Emoji Movie Animated comedy about a adventures of emojis who live in Textoplis. With voices of T.J. Miller, James Corden and Anna Faris. Not reviewed. Rated PG. 126 minutes.

False Confessions Luc Bondy’s final film, a modern-day shade instrumentation of a 18th century Marivaux play, has some excellent stylistic turns, though it’s degraded by a weird casting of a adore interests(Isabelle Huppert and Louis Garrel, distant by 30 years) and a certain stretch in a playing. Not rated. 85 minutes. In French with English subtitles.—M.LaSalle

A Ghost Story David Lowery’s brazen and process anticipation tells a story of a vivid from a standpoint of a sad, irrational and a rather sad ghost. The film is delayed and contains really small dialogue. It is totally conflicting a settlement of contemporary renouned cinema, though if you’re adult for a extreme change, we will find it rewarding. Starring Rooney Mara and Casey Affleck. Rated R. 92 minutes.—M.LaSalle

Girls Trip Regina Hall, Queen Latifah, Jada Pinkett Smith and a really humorous Tiffany Haddish play college friends who reunite for a furious prolonged weekend in New Orleans. Lovable and mostly side-splitting, full of vast amusement and well-conceived comic situations. Rated R. 122 minutes.—M.LaSalle

The Glass Castle Though this filmed digest of Jeanette Walls’ memoir, about her uneasy childhood flourishing adult with an haphazard father, goes a small soothing in a end, it’s all a same a thespian mural of a terrors of childhood, as seen from a child’s perspective. Rated PG-13. 127 minutes.—M.LaSalle

In This Corner of a World Featuring delicate, pastel, hand-drawn animation, this Japanese film, about a lead adult to World War II and a knowledge of a Hiroshima bombing, as gifted from a suburb of Kure, has some touching moments, though it’s degraded by a extreme using time and indolent narrative. Rated PG-13. 129 minutes. In Japanese with English subtitles.—M.LaSalle

An Inconvenient Sequel: Truth to Power Al Gore is behind with a constrained refurbish to his 2006 documentary about meridian change. The film gives a latest in systematic investigate while following Gore on his worldwide electioneer that includes a wilful revisit to Paris during a Paris Agreement negotiations. Rated PG. 98 minutes.—M.LaSalle

Kidnap In this thriller, that has echoes of “Taken,” Halle Berry plays a working-class singular mom who chases down her small boy’s abductors. It’s a workable B-movie vehicle. Rated R. 94 minutes.—D.Lewis

Lady Macbeth This is a smart, streamlined reimagining of “Lady Macbeth of Mtsensk,” transplanted to farming 19th century England, and a star-making showcase for immature Florence Pugh, who has a turmoil and restraint of a immature Kate Winslet. Rated R. 89 minutes.—M.LaSalle

The Last Dalai Lama Director Mickey Lemle’s follow-up to his 1991 Dalai Lama documentary shows a Buddhist personality during assent entering his ninth decade, even with so most doubt surrounding a destiny of a position. MVPs in a slow-moving though enchanting film embody George W. Bush in an interview, and a Lama-inspired low-pitched measure by composer Philip Glass and Tenzin Choegyal. Not rated. 90 minutes.—P.Hartlaub

Letters From Baghdad Absorbing documentary about Gertrude Bell, mostly called a womanlike Lawrence of Arabia, and her purpose in a creation of a complicated Middle East. Taken from tangible association and journals by Bell and her fiends and colleagues, with Tilda Swinton as a voice of Bell, and filled with archival photographs and film footage, directors Sabine Krayenbuhl and Zeva Oelbaum closely elicit Baghdad, Syria and London in a initial dual decades of a 20th century. Not rated. 95 minutes.—G.AllenJohnson

The Little Hours Jeff Baena wrote and destined this really humorous comedy about 3 nuns coping with restrained annoy and ardent disappointment in 14th century Europe. Aubrey Plaza, Alison Brie and Kate Micucci co-star. Based on Boccaccio’s “Decameron.” Rated R. 90 minutes.—M.LaSalle

Maudie This year’s instance of a Vera Drake Syndrome in movement — a film that has no life and vitality though that we feel guilty for disliking given it tells a story of a good chairman — is a biopic about a Canadian artist Maud Lewis (a relentlessly touching Sally Hawkins) who, if we trust this movie, went by life though a singular engaging thing function to her. Deadly. Rated PG-13. 115 minutes.—M.LaSalle

Menashe Set in a Brooklyn Hasidic community, this is a relocating story of a widower who runs afoul of his ultra-orthodox family and neighbors given of his enterprise to lift his son as a singular dad. It’s a constrained description of a sealed society. Rated PG. 82 minutes. In Yiddish with English subtitles.—W.Addiego

The Midwife Catherine Frot is a maestro midwife and Catherine Deneuve is her inconstant opposite, who pops adult from out of a past and army a midwife to confront her prolonged neglected romantic life. It’s a clever film with superb performances from France’s dual good Catherines. Not rated. 117 minutes. In French with English subtitles.—M.LaSalle

The Nut Job 2: Nutty by Nature This supplement about squirrels perplexing to save their park from immorality politicians is destined during relatives who have a week left before propagandize starts, and are out of ideas. The initial “Nut Job” attempted to set itself detached with noirish qualities. The second film uses uninterrupted movement to confuse from a miss of originality. Rated PG. 91 minutes.—P.Hartlaub

The Only Living Boy in New York This misfire concerns a misunderstood millennial male who falls for his abounding father’s mistress. There is zero that a appealing expel can do to overcome a stupid dialogue. Rated R. 88 minutes.—D.Lewis

Spider-Man: Homecoming This is nonetheless another reboot of a “Spider-Man” authorization and a slightest engaging yet, with Tom Holland in a pretension role. It’s a slight entrance with some bluff civilizing elements and muted action. Still, it’s pretty engaging throughout. Rated PG-13. 134 minutes.—M.LaSalle

Step This moving and engaging documentary focuses on 3 immature African American members of a step-dancing group during a Baltimore licence school, and their issues during home and in propagandize in a epoch of Black Lives Matter. Rated PG. 83 minutes.—W.Addiego

Valerian and a City of a Thousand Planets Director-producer Luc Besson earnings to a space show for a initial time given he done “The Fifth Element” in 1997. The prolongation and impression pattern are off a charts, sufficient masking structure and pacing deficiencies. There’s so most poise going on in any particular interplanetary sequence, that a so-so story about detectives questioning a supervision tract is mostly an afterthought. Rated PG-13. 137 minutes.—P.Hartlaub

Walk With Me Documentary about Zen master Thich Nhat Hanh. Directed by Marc J. Francis and Max Pugh, narrated by Benedict Cumberbatch. Not reviewed. Not rated. 94 minutes.

War for a Planet of a Apes The final in this trilogy of prequels to a 1968 classical finds a apes and humans in a onslaught for survival, in this low-key, thinking-person’s movement movie, that concludes a array in a gratifying and intelligent way. Rated PG-13. 140 minutes.—M.LaSalle

Whose Streets? “Frontline” documentary about a issue of a 2014 Michael Brown sharpened and how a black village in Ferguson, Mo., has fought for changes in police-community family is loud, unrelenting, indignant and passionate. In other words, a film for a times. Rated R. 90 minutes.—G.AllenJohnson

Wind River Taylor Sheridan wrote and destined this crime drama, about a FBI questioning a murder on an Indian reservation. The story is conventional, though a environment and a diagnosis — with a importance on a snowy plcae and a specifics of a enlightenment — spin this into an engaging and gratifying experience. Rated R. 107 minutes.—M.LaSalle

Wonder Woman This is a opposite kind of comic book movie, with a clarity of story and purpose, featuring a star-making opening by Gal Gadot in a pretension role. Co-starring Chris Pine and destined by Patty Jenkins (“Monster”). Rated PG-13. 141 minutes.—M.LaSalle

Capsule film reviews, Aug. 13 – San Francisco Chronicle

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